What are the three core shifts in English Language Arts CCRS? Read this post to find out!

Three Core Shifts to Deliver on the Promise of the Common Core State Standards in English Language Arts/Literacy

By David Coleman, Susan Pimentel, and Jason Zimba

The Common Core State Standards were developed through an unprecedented state-led initiative that drew on the expertise of teachers, parents, administrators, researchers and content experts from across the country. The Standards define a staircase to college and career readiness, building on the best of previous state standards and evidence from international comparisons and domestic reports and recommendations. Most states have now adopted the Standards to replace previous expectations in English language arts/literacy and mathematics.

Three core shifts in literacy, deeply grounded in the Standards themselves, offer a way to focus implementation on the few things that have the most significant return for students. These shifts should guide all aspects of implementing the Standards—including professional development, assessment design, and curriculum. Standards by themselves cannot raise achievement. Standards don’t stay up late at night working on lesson plans, or stay after school making sure every student learns—it’s teachers who do that. And standards don’t implement themselves. Education leaders from the state board to the building principal must now act to make the Standards a reality in classrooms. By describing these three core shifts, we aim to ensure that expectations for teaching and learning are clear, consistent, and tightly aligned to the goals of the Standards themselves.

The English Language Arts & Literacy Standards: Reading and Writing Grounded in Evidence from Rich, Complex Texts

The English Language Arts & Literacy Standards provide a clear progression of learning goals in reading, writing, speaking, and listening for teachers of ELA as well as science, social studies, and technical subjects. These learning goals build a staircase of increasing complexity with the aim of preparing all students for success in college and careers by the end of high school. This is not the case today; only 35 percent of U.S. 12th graders scored at or above the “proficient” level on the NAEP reading test in 2005. Only 1 in 10 8th graders are on target to be ready for college-level work by the time they graduate from high school. The Standards attempt to address our lagging performance with three key shifts.

1. Building knowledge through content-rich nonfiction

The evidence is strikingly clear that reading content-rich nonfiction about history, social studies, science and the arts in elementary school is critical for later reading growth and achievement. Research shows that students need to be grounded in information about the world around them in order to develop a strong general knowledge and vocabulary that is necessary for becoming a successful reader. However, today students read overwhelmingly stories in elementary school; on average, less than 10 percent of elementary ELA texts are nonfiction.

To be clear, literature plays an essential role in cultivating students’ reading skills and developing their love of reading, and the Standards celebrate the role literature plays in building knowledge and creativity in students. The Standards therefore strongly recommend that all students equally read rich literature in elementary school as well as content-rich nonfiction. In later grades, the Standards empower history, social studies, and science teachers to equip students with the skills needed in college to read and gain information from content-specific nonfiction texts.

The Standards emphasize careful reading—the close rereading of texts to ensure understanding—so the quality of texts that student encounter also matters. To become prepared for career and college, students must wrestle with a wide variety of high quality texts from across diverse genres, cultures, and eras. These excellent texts model for students the type of thinking and writing that they should aspire to in their own work.

2. Reading and writing grounded in evidence from text, both literary and informational

The Common Core State Standards place a premium on writing to sources by using evidence from texts to present careful analyses, well-defended claims, and clear information. Rather than asking students questions they can answer solely from prior knowledge or experiences, the Standards prioritize questions that require students to have read a text or texts with care. That is, student must be able to answer a range of questions using evidence and inferences drawn from the text itself. The Standards also require the cultivation of narrative writing throughout the grades. Narrative writing enables students to develop a command of sequence and detail that is an essential component of the argumentative and informative writing that predominates in later grades.

The Standards’ focus on evidence-based writing to inform and persuade is a significant change from current practice. Today, the most popular forms of writing in K-12 are based on student experiences and opinion—which alone will not prepare students for the demands of college and career. In a project by professors in Minnesota that rated the college-readiness of high school students’ writing, student chose overwhelmingly to submit personal narratives or opinions and the professors overwhelmingly judged the writing as “not college ready.”

3. Regular practice with complex texts and its syntax and vocabulary

Text complexity is a main focus of the Common Core because the ability to comprehend complex text is the most significant factor differentiating college-ready from non-college-ready readers. The Standards therefore build a staircase of increasing complexity in the texts that students are expected to read in order to prepare them for the demands of college and careers.

The complexity of text is determined by a number of factors, including syntax (i.e. sentence structure) and vocabulary. In order to achieve a command of complex materials, students must be able to access the key academic vocabulary common to those texts. For this reason, the Standards require a focus on the academic vocabulary that appears commonly across genres and content areas and which is essential for understanding (e.g. ignite and commit).

Realizing the Potential of the Standards

The Standards provide an opportunity for teachers, principals, and policymakers from across the country to collaborate in a detailed, meaningful way that was impossible when standards were state-specific. Ensuring that the Standards are implemented with fidelity means that the core shifts in literacy are clearly visible and driving teaching and learning.

The Standards are a historic opportunity for American education—but the opportunity will be lost if the vision remains only on paper. Implementing the Standards fully and with fidelity is the next challenge.

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The First 20 Days Begins Tomorrow!

Don’t forget that “The First 20 Days” starts tomorrow for grades K-5 in the reading block. This is the time to set a firm foundation in place for reading and literacy instruction this year. I read a great article the other day comparing setting this foundation to priming your walls before you paint them. If you skip this step in painting, you will likely have to go back and repaint the walls. The same holds true for reading routines and expectations. This is why it is crucial to use this time set aside in your reading instructional block to teach and practice these procedures on the front end. Have a great week and happy reading!

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Welcome Back!

We are glad everyone is back in school, and we look forward to a great year of learning!

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Barnes & Noble Summer Reading Program

This event is for children first through sixth grade. If they read 8 books this summer, they can bring in their reading journal to Barnes & Noble and pick out a FREE book from their list of selected books.

They have to have read 8 books by 9/4/12 to get their free book. So download your reading journals from the website and start recording your child’s books.

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New Session of Writing Workshop Added!

The “Writing for the Lower Grades” workshop has had a great response! We have added another (smaller) session of this workshop on August 1st from 8:00-3:00 at SCISC. This session is limited to 40 participants. We have also added a condensed session of the workshop for administrators on July 31st from 9:00-12:00.

Thanks to Beth Fuller for sharing her knowledge and time!

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DIBELS Next Tidbit: DORF!

DORF stands for DIBELS Oral Reading Fluency. The old version of DIBELS used the ORF (Oral Reading Fluency) assessment. The reading portion of the assessment is the same except there are new passages which are more closely leveled for each grade level. This is certainly exciting news! The DORF assessment measures advanced phonics and word attack skills as well as accurate and fluent reading of connected text. There is also a passage retell portion of this assessment which measures reading comprehension. Students are given an unfamiliar, grade level passage of text and asked to read for one minute. Errors such as substitutions, omissions, and hesitations for more than 3 seconds are marked while listening to the student read aloud. Benchmark sessions (3 times per year) require the student to read three passages for one minute each. The median score from the three passages gives the best indicator of student performance over a range of different text and content. Progress monitoring sessions only require the student to read one passage per session, since these sessions are a measure of the student’s progress after instruction and/or intervention. Progress monitoring is like checking a child’s temperature after you have given them medicine for a little while.

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DIBELS Next Tidbit: What in the world is Daze?

Daze is a new measure in DIBELS Next. This is the standardized version of the maze procedures that have been used for measuring reading comprehension. The purpose of this assessment is to measure the reasoning processes that make up comprehension. Daze assesses the students’ ability to construct meaning from text using word recognition skills, background knowledge and information, reasoning skills as well as familiarity with linguistic properties such as syntax and morphology.

Daze can be given to a whole class at the same time. Students are asked to read a passage and circle their word choices. The design is that approximately every seventh word in the Daze passages have been replaced by a box containing the correct word and two distractor words. Students receive credit for choosing the words that best fit the omitted words in the reading passage. The scores are recorded as the number of correct and incorrect responses. An adjusted score which allows for guessing is calculated based on the number of correct and incorrect responses.

This assessment begins in 3rd grade. There are also progress monitoring materials which can be used to monitor the progress of students in 3rd grade who struggle with comprehension.

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DIBELS Next Tidbit: First Sound Fluency (FSF)

First Sound Fluency (FSF) is a new measure in DIBELS Next which replaces Initial Sound Fluency (ISF) from DIBELS 6th Edition. FSF is a quick measure of students’ fluency in identifying the initial sounds in words. The ability to isolate the first sound in a word is an important phonemic awareness skill that is highly related to reading acquisition and reading achievement (Yopp, 1988). FSF is a measure of developing phonemic awareness at the beginning and middle of kindergarten because the ability to isolate and identify the first phoneme in a word is much easier than segmenting words or manipulating phonemes in words.

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DIBELS Next

Our district will be moving to the new DIBELS Next assessment beginning next year. This assessment is an updated assessment which will give us a more accurate picture of where our students in grades K-3 are foundationally in reading. If students have deficits, our teachers will be able to use this information to target instruction and interventions for students as well as monitor their progress. We are excited about this change!

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2012 Notable Children’s Books in the Language Arts

The Notable Books in the Language Arts Committee, sponsored by the Children’s Literature Assembly of the National Council of Teachers of English, selects thirty titles each year that best exemplify the criteria established for the Notables Award. Books considered for this annual list are works of fiction, non-fiction, and poetry written for children, grades K-8. The books must meet one or more of the following criteria:

• deal explicitly with language, such as plays on words, word origins, or the history of language;
•demonstrate uniqueness in the use of language or style;
•invite child response or participation.
In addition, books are to:

•have an appealing format;
•be of enduring quality;
•meet generally accepted criteria of quality for the genre in which they are written.

2012 Notable Children’s Books in the Language Arts
A Butterfly Is Patient, by Diana Hutts Aston, illustrated by Sylvia Long, published by Chronicle Books.

A Monster Calls, by Patrick Ness, published by Candlewick.

Addie on the Inside, by James Howe, published by Atheneum.

Amelia Lost: The Life and Disappearance of Amelia Earhart, by Candace Fleming, published by Schwartz & Wade.

Balloons over Broadway, by Melissa Sweet, published by Houghton Mifflin.

Bluefish, by Pat Schmatz, published by Candlewick.

BookSpeak: Poems about Books, by Laura Purdie Salas, illustrated by Josee Bisaillon, published by Clarion.

Breadcrumbs, by Anne Ursu, published by Walden Pond.

Dead End in Norvelt, by Jack Gantos, published by Farrar, Straus and Giroux.

Heart and Soul, by Kadir Nelson, published by Balzer + Bray.

Hound Dog True, by Linda Urban, published by Harcourt.

Inside Out & Back Again, by Thanhha Lai, published by Harper.

Lemonade: And Other Poems Squeezed from a Single Word, by Bob Raczka, published by Roaring Brook Press.

Me…Jane, by Patrick McDonnell, published by Little, Brown.

Okay for Now, by Gary Schmidt, published by Clarion.

Over and Under the Snow, by Kate Messner, illustrated by Christopher Silas Neal, published by Chronicle Books.

Pablo Neruda: Poet of the People, by Monica Brown, illustrated by Julie Paschkis, published by Henry Holt.

Passing the Music Down, by Sarah Sullivan, illustrated by Barry Root, published by Candlewick.

Requieum: Poems of the Terezin Ghetto, by Paul Janezko, published by Candlewick.

Shout! Shout it Out!, by Denise Fleming, published by Henry Holt.

Stars, by Mary Lynn Ray, illustrated by Marla Frazee, published by Beach Lane.

The Cazuela That the Farm Maiden Stirred, by Samantha R. Vamos, illustrated by Rafael Lopez, published by Charlesbridge.

The Cheshire Cheese Cat, by Carmen Agra Deedy and Randall Wright, illustrated by Barry Moser, published by Peachtree.

The Friendship Doll, by Kirby Larson, published by Delacorte.

The Great Wall of Lucy Wu, by Wendy Wan-long Shang, published by Scholastic.

The Scorpio Races, by Maggie Stiefvater, published by Scholastic.

These Hands, by Margaret H. Mason, illustrated by Floyd Cooper, published by Houghton Mifflin.

True…Sort of, by Katherine Hannigan, published by Greenwillow.

Underground, by Shane W. Evans, published by Roaring Brook Press.

Won Ton: A Cat Tale Told in Haiku, by Lee Wardlaw, illustrated by Eugene Yelchin, published by Henry Holt.

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